When do new cameras come out 2017

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Panasonic Lumix S 35mm F1. Sensors and lenses have improved with successive smartphone models, the former growing in size and pixel count over time and the latter widening in aperture and offering new focal lengths — and smartphone manufacturers have made plenty of noise about this in the marketing for the models.

Sign up for a free SmartFrame account and get MB of storage. Furthermore, by augmenting their native camera apps with photographic features that were once only available through third-party apps — raw shooting, manual exposure, white balance adjustment and so on — the argument for having a standalone camera has diminished even further.

The desire for a more seamless user journey between capturing and disseminating an image has also become vital, a significant plus for smartphones when you consider just how woeful an experience w ireless connectivity continues to be on many dedicated cameras.

From the convenience of always having one on you to the ability to take a quick selfie, and seamless integration of endless photo-oriented apps and social media channels, there are many reasons why smartphones have become dominant for everyday photography.

But t o what extent should we expect smartphones to continue reshaping the camera market? A logical place to start with such a question is to look at the types of cameras that remain, and assessing the likelihood of smartphones either catching up in capabilities, or at least coming close enough to severely lessen their appeal.

Of the four compact categories mentioned above, the most likely group for smartphones to challenge next is the rugged camera category, not least because so many smartphones already offer protection against dust and water ingress to some extent. Here, dedicated compact cameras generally maintain the advantages of shock-proofing and freezeproofing, and to a lesser extent, crushproofing, although several shockproof smartphones can now be had from the likes of CAT, AGM and Doogee and rugged cases for conventional smartphones have been available for some time.

I t seems perfectly reasonable to expect future generations of smartphones to be hardier and to work more reliably across a greater range of environmental conditions.

Tackling long-zoom cameras may be more problematic. Smartphones also lack the necessary large physical controls common to such child-friendly cameras, which makes them far more fiddly to operate. So what about enthusiast compacts with large sensors? Are smartphones a serious challenge to these?

It certainly seems that advances in smartphone technology have encompassed many features that were only once present in cameras aimed at this kind of discerning audience, and advances in sensor design and lens technology have narrowed the gap without question.

That said, this type of user can more readily spot differences in image quality between the two formats. Features like simulated bokeh may look pleasing enough to the average smartphone users, but those used to achieving these things with a dedicated camera may take more convincing.

Furthermore, enthusiast photographers place more value on many factors that would be impractical for smartphone manufacturers to adopt, not least ergonomic designs and physical controls. When it comes to interchangeable-lens cameras, the fact that there are fewer entry-level DSLRs and mirrorless cameras than there used to be is telling.

Camera manufacturers need to have a relatively affordable entry-point into a system, of course, although the focus has undoubtedly shifted to the more profitable enthusiast and professional end of the market in recent years, where users are likely to build a system of camera bodies and lenses over time.

Yes, you can use DSLR lenses on a mirrorless camera with adapters, but some photographers don't want to go that route. And, most of all, DSLR still work fine for many photographers. Whether camera manufacturers will continue to make new DSLRs remains to be seen, but I'm guessing they will be much fewer and further between.

I was 15, and not many memories from that long ago remain fully intact, but I remember everything about the night that I got my D I remember the room I was in, the time of day, the weather and the feeling of opening up the large black and yellow box.

I remember the colorful marketing photos that adorned the packaging. I can't tell you about many of the camera's features anymore. My knowledge of its specs starts and ends at its However, when I think about the look and feel of the D80, I instantly remember its silver shutter release, the iconic red accent on the chunky front grip and the feel and sound of the camera's many buttons and dials.

It felt equal parts overwhelming and exciting. I only realized years later how much the Nikon D80 informed my idea about what a camera is.

For a long time, my idea of a camera was that of a DSLR. A large camera with a big front grip, many dials and buttons and the mechanical thwack when I pressed the shutter release. Fast forward to Over time, I've shot with many other types of cameras, including compact all-in-ones which, like DSLRs, have become less prevalent , mirrorless cameras of all shapes and sizes and even a couple of medium-format camera systems.

Nonetheless, if someone asked me to imagine a camera quickly, my mind would no doubt head straight to where it all began for me, a classic DSLR.

For some photographers, the DSLR era was merely an extended stop on an even longer photography journey. For me, it's where it all began, and I think—hope, really—that it will always be where my mind first wanders to when I think about photography.

The DSLR's time at the top is ending. In many ways, it's already passed.